![]() ![]() Rather than remembering which notes map to specific drums, cymbals, and so forth, I move the notes upward and downward on the staff until I hear the correct sound, at which time I work on the rhythm pattern for the particular drum, cymbal, or percussion instrument, where the key to the strategy is that I put each percussion instrument on a separate staff, where it nearly always is a single-note type of thing, where only the notes for the specific drum, cymbal, or percussion instrument are on its corresponding staff. The strategy here in the sound isolation studio is based on (a) selecting a subset of drumkits, as well as Indian and Latin percussion instrument collections, and then (b) using them exclusively, unless there is a specific percussion instrument or sound that I need but is not available in any of the standard percussion libraries that I use.
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